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Ian Schrager Celebrates Launch of New York Edition Hotel
19/05/2015
Language English Featured: 0Order: 0Author(s): Regina MogilevskayaSub-Channels: PartiesShort Title : Ian Schrager Celebrates New York Edition HotelHome Top Story: Top Story - International Read full article here

Group Show at Yerba Buena Center for the Arts
19/05/2015
Artists: Maria Thereza Alves, Michael Arcega, Lonnie van Brummelen and Siebren de Haan, Peter Fischli and David Weiss, Camille Henrot, Luc Moullet, Museum of Gourd, the National Bitter Melon Council, Pratchaya Phinthong, Arin Rungjang, Thasnai Sethaseree, Shimabuku, SUPERFLEX in collaboration with the Propeller Group Venue: Yerba Buena Center for the Arts, San Francisco Exhibition Title: The Way Things […]Contemporary Art Daily is produced by Contemporary Art Group, a not-for-profit organization. We rely on our audience to help fund the publication of exhibitions that show up in this RSS feed. Please consider supporting us by making a donation today. Read full article here

Madrid
19/05/2015
Language Undefined Location Website: Location Email: galeriaeg@entorno.esDisplay: Don't displayUse alternative description in place of "Hours" (Edit text below): Directions: Address: Javascript is required to view this map.Neighborhood: SouthWest LondonLocation Phone: 34 91 319 59 00:primary; 34 91 319 61 24:faxAdmissions: Collections: Has Cafe: Has Store: Has Film: Is Free Listing: Opening Hours Alternative Text: location fax: Guide Landing page: Region on the Guide Landing page: None Read full article here

New York
19/05/2015
Language Undefined Location Website: http://www.alexandergray.comDisplay: Don't displayUse alternative description in place of "Hours" (Edit text below): Address: Javascript is required to view this map.Neighborhood: ChelseaMonday - Close: 12:00amTuesday - Open: 12:00amTuesday - Close: 12:00amWednesday - Open: 12:00amWednesday - Close: 12:00amThursday - Open: 12:00amThursday - Close: 12:00amFriday - Open: 12:00amFriday - Close: 12:00amLocation Phone: +1 212 399 2636Saturday - Open: 12:00amSaturday - Close: 12:00amSunday - Open: 12:00amSunday - Close: 12:00amMonday - Open: 12:00amHas Cafe: Has Store: Has Film: Is Free Listing: Opening Hours Alternative Text: location fax: Guide Landing page: Region on the Guide Landing page: None Read full article here

10 Must-See Vivid Sydney 2015 Events
19/05/2015
Language English, Australia Featured: 0Order: 0Tags: vivid sydneysydneyvividVivid Sydney 2015Nicholas ForrestAuthor(s): Nicholas ForrestSub-Channels: IdeasShort Title : 10 Must-See Vivid Sydney 2015 EventsSub-sub: Cultural ExperiencesHome Top Story: Top Story - English, AustraliaTop Story - English, BrazilTop Story - English, CanadaTop Story - English, ChineseTop Story - English, ColombiaTop Story - English, FranceTop Story - English, GermanyTop Story - English, Hong KongTop Story - English, IndiaTop Story - English, ItalyTop Story - English, JapanTop Story - English, KoreaTop Story - English, MexicoTop Story - English, Middle EastTop Story - English, Southeast AsiaTop Story - English, United Kingdom Read full article here

Roma
19/05/2015
Language Undefined Location Website: http://www.studiotrisorio.comDisplay: Don't displayUse alternative description in place of "Hours" (Edit text below): Directions: Address: Javascript is required to view this map.Neighborhood: Bond Street AreaLocation Phone: 06 80242501Admissions: Collections: Has Cafe: Has Store: Has Film: Is Free Listing: Opening Hours Alternative Text: location fax: 06 80242300/01Guide Landing page: Region on the Guide Landing page: None Read full article here

Sarah Lucas: I Scream Daddio / British Pavilion at Venice Art Biennale 2015
19/05/2015
At the Venice Art Biennale 2015, the British Pavilion features a solo show with new work by the artist Sarah ... Read full article here

Mexico City
19/05/2015
Language Undefined Location Website: http://www.museofridakahlo.org.mx/Last name: tEmail: relacionespublicas@museofridakahlo.org.mxPhone: 1 Display: Don't displayUse alternative description in place of "Hours" (Edit text below): Address: Javascript is required to view this map.Neighborhood: CoyoacánMonday - Close: 12:00amTuesday - Open: 12:00amTuesday - Close: 12:00amWednesday - Open: 12:00amWednesday - Close: 12:00amThursday - Open: 12:00amThursday - Close: 12:00amFriday - Open: 12:00amFriday - Close: 12:00amLocation Phone: +52 55 8647 5430Saturday - Open: 12:00amSaturday - Close: 12:00amSunday - Open: 12:00amSunday - Close: 12:00amMonday - Open: 12:00amAdmissions: General Admission: 2 pesosCollections: Frida Kahlo's household objects, paintings, furnitureHas Cafe: Has Store: Has Film: Is Free Listing: Opening Hours Alternative Text: location fax: Guide Landing page: Region on the Guide Landing page: None Read full article here

MCA Sydney’s “Light Show” Exhibition
19/05/2015
Language English, Australia Featured: 0Order: 0Slideshow location: Slideshow ICONTags: Light Showlightmuseum of contemporary artMCA SydneymcaNicholas ForrestAuthor(s): Nicholas ForrestSub-Channels: MuseumsShort Title : MCA Sydney’s “Light Show” ExhibitionHome Top Story: Top Story - English, AustraliaTop Story - English, BrazilTop Story - English, CanadaTop Story - English, ChineseTop Story - English, ColombiaTop Story - English, FranceTop Story - English, GermanyTop Story - English, Hong KongTop Story - English, IndiaTop Story - English, ItalyTop Story - English, JapanTop Story - English, KoreaTop Story - English, MexicoTop Story - English, Middle EastTop Story - English, Southeast AsiaTop Story - English, United Kingdom Read full article here

Sarkis on His Pavilion of Turkey Installation in Venice
19/05/2015
Sarkis on His Pavilion of Turkey Installation in VeniceInfluential Istanbul-born conceptual artist Sarkis says that his installation for the Pavilion of Turkey at the 56th International Art Exhibition, la Biennale di Venezia has been the most personally challenging of all the work he has produced to date. Titled “Respiro,” meaning “breath” in Italian, the installation features two site-specific neon rainbows and two large-scale mirrors with fingerprints applied in watercolour by seven children: Abay, Anna, Aren, Helin, Karla, Claudia, and Linda. Also included in the exhibition are several of Sarkis’s iconic sculptures as well as a series of 36 stained glass panes. Complementing the installation is a composition by Jacopo Baboni-Schilingi that is based on the artist’s drawing of the rainbow’s seven colors as a system of partitions. “In Respiro, I will be reaching out beyond geopolitics, to a more expansive context of a million plus years, going back to the creation of the universe and the beginning of time, back to the first-ever rainbow — the very first magical breaking point of light,” Sarkis explains. “Instead of binding ourselves to specific instances within the histories of politics, religion, philosophy, and the arts, we will be embracing contemporaneity of both the present and the distant past in our continued attempt to defy stagnation.” Click the slideshow to see images of the installation To find out more about his Venice Biennale installation, BLOUIN ARTINFO got in touch with Sarkis and asked him a few questions. Your Venice Biennale exhibition in the Pavilion of Turkey is titled “Respiro.” Could you explain the origins of the title and what it expresses and reveals about the presentation? “Respiro” means “breath” in Italian. I love the idea of the flow of life-force, like a breath, between my works on view including the objects, stained-glass works, and especially the music composed by Jacopo Baboni-Schilingi, which is based on my drawing of the rainbow’s seven colours as a system of partitions. The rays of the neon rainbow installations are also continuously “breathing,” filling the space of the pavilion even after the closing hours. What was the initial inspiration behind “Respiro” and how did it develop into the exhibition that visitors will see in Venice? Warburg’s concept of memory as Leidschatz (the treasure trove of sufferings) has been a guiding light for this exhibition. The question I relentlessly pursued was: How can one maintain turbulent emotions and registers while keeping the energy of cultural memory alive? Our plan was to reach out beyond various histories of looting and to release objects, images, thoughts, and codes from the treasure chest. Instead of binding ourselves to specific instances within the histories of politics, religion, philosophy, and the arts, we are embracing contemporaneity of both the present and the distant past in a continued attempt to defy stagnation. How has your past practice influenced and informed your Venice Biennale presentation? Leidschatz has always had a resonance in my practice. “Respiro” engages a recurring cast of my works, some newly commissioned for the site specifically, some early works, which continually rehearse and negotiate new webs of meanings and entanglements. It has been said that “Respiro” has been the most personally challenging work you have produced to date. Why is this? My participation in the Pavilion of Turkey came with great responsibility. I was the first artist to show in the permanent space, to be chosen by an international jury, and to represent Turkey in this historic year. When I was offered the opportunity to also participate in the pavilion of Armenia, I understood that a bridge had been built between the two. I hope that the subconscious codes embedded in my work will offer all kinds of new possibilities to revisit histories. You say that with “Respiro” you are “reaching out beyond geopolitics, to a more expansive context of a million plus years, going back to the creation of the universe and the beginning of time, back to the first-ever rainbow—the very first magical breaking point of light.” How did you achieve this with “Respiro”? Our landscape is full of deep uncertainties. I created an explosion, a sort of Big Bang that in turn leads to the creation of something new. Everything is based on this rupture. I tried to open up a space in which the potential of art is reanimated and it’s “territory” expanded. Select Photo Gallery: Venice Biennale 2015 - Pavilion of Turkey (Photos)Published: May 18, 2015 Read full article here

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